The ‘Human RIghts Promotion’ team helps out people who are in need to protect and secure their human rights.

By 2017, the global economy has collapsed and U.S. society has become a totalitarian police state, censoring all cultural activity. The government pacifies the populace by broadcasting a number of game shows in which convicted criminals fight for their lives, including the gladiator-style The Running Man, hosted by the ruthless Damon Killian, where “runners” attempt to evade “stalkers” and certain death for a chance to be pardoned and set free.

Desperate to save his sick daughter, working-class Ben Richards is convinced by The Running Man's charming but ruthless producer to enter the deadly competition game as a last resort. But Ben's defiance, instincts, and grit turn him into an unexpected fan favorite — and a threat to the entire system. As ratings skyrocket, so does the danger, and Ben must outwit not just the Hunters, but a nation addicted to watching him fall.

A collection of three short films directed by Moon So-ri. During recent years, Moon tried writing and directing. She previously wrote and directed three short films “The Actress” (2014), “The Running Actress” (2015), and “The Best Director” (2015), and these three short films are assembled here together in her first feature film “The Running Actress”.

Running the Halls is an American television sitcom that aired on NBC's TNBC Saturday morning lineup. The series was created by Steve Slavkin, being the first TNBC sitcom not to be executive produced by Peter Engel.The show consisted of 13 episodes, which aired on from September 11, 1993 to December 4, 1993.

Vicki Mason, a high school senior, decides to prove a point by trying out for the school football team

#NCT127 #MyTripMates #마이트립메이트 #NCT #엔시티 #엔시티127

#NCT127 #MyTripMates #마이트립메이트 #NCT #엔시티 #엔시티127

In one of his first experiments in video, Emshwiller creates an electronic landscape of both abstract and figurative elements, where colorized dancers are chroma-keyed into a mutable, computer-animated environment. Working with the "Scan-i-mate," an early analog video synthesizer, Emshwiller choreographs an architectural, illusory video space, in which frames proliferate within frames, disembodied heads and hands move within a collage of animated forms, and the dancers and their environment are subjected to constant transformations through image processing. With its witty interplay of the "real" and the "unreal" in an electronically rendered videospace, and the skillful manipulation and articulation of a sculptural illusion of three-dimensionality, Scape-mates introduced a new vocabulary of video image-making.

In one of his first experiments in video, Emshwiller creates an electronic landscape of both abstract and figurative elements, where colorized dancers are chroma-keyed into a mutable, computer-animated environment. Working with the "Scan-i-mate," an early analog video synthesizer, Emshwiller choreographs an architectural, illusory video space, in which frames proliferate within frames, disembodied heads and hands move within a collage of animated forms, and the dancers and their environment are subjected to constant transformations through image processing. With its witty interplay of the "real" and the "unreal" in an electronically rendered videospace, and the skillful manipulation and articulation of a sculptural illusion of three-dimensionality, Scape-mates introduced a new vocabulary of video image-making.